Line, form, color and spatiality – the works in this exhibition variously exemplify (Nelson Goodman) the building blocks of our reality.
All pieces are sensual, material objects, yet not all works can be easily accorded to the traditional categories of painting, sculpture, drawing. The very characteristics that make such a classification difficult lead to a fruitful and productive difference.
The relationship to our perception is a central concern of this art, which presents a conscious, aesthetic perspective on the world we inhabit.
July/August open by appointment.
Installation view
Installation view office room
Installation view room 1
Installation view room 2
Installation view room 2
Installation view room 2
Installation view room 3
Installation view room 4
Installation view room 4
Installation view room 4
Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
Water based acrylic
Drawn by Nicolai Angelov
Photo: Thomas Cugini, Zürich
Sol LeWitt
Horizontal Bands (More or Less)
2002
154 x 147 cm
Gouache on paper
Robert Mangold
Plane/Figure
1992
105.4 x 148.6 cm
Graphite on paper
Robert Mangold
Three Color Frame Painting
1985
92 x 81.3 cm
Acrylic and pencil on paper
Joseph Egan
on Hydra (Nr. 8)
2013
57 x 49 x 1 cm
Various paints on canvas
Joseph Egan
on Hydra (Nr. 10)
2013
57 x 50 x 1 cm
Various paints on canvas
Joseph Egan
on Hydra (Nr. 8)
2013
57 x 49 x 1 cm
Various paints on canvas
Joseph Egan
on Hydra (Nr. 10)
2013
57 x 50 x 1 cm
Various paints on canvas
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Richard Tuttle
Source
2012
7 parts, each: 59.5 x 21 cm
Pencil, colored pencil and collage (grey cardboard)
Fred Sandback
Untitled
1974
162.6 x 304.8 x 15.2 cm
Red acrylic yarn, untwisted
Fred Sandback
Untitled
1974
162.6 x 304.8 x 15.2 cm
Red acrylic yarn, untwisted
Fred Sandback
Untitled
1974
162.6 x 304.8 x 15.2 cm
Red acrylic yarn, untwisted
James Bishop
Brown / Red
1969
189.5 x 188.5 cm
Oil on canvas
Sylvia Plimack Mangold
The Pin Oak
2010 / 2013
37 x 60 cm
Graphite and watercolor on paper
Sylvia Plimack Mangold
The Pin Oak 6/15/02
2002
56 x 76.2 cm
Watercolor and pencil on paper
Dan Flavin (1933–1996) and Will Insley (1929–2011)
March 6 to April 26, 2024
James Bishop
James Bishop
Publisher: ER Publishing, Edited by Molly Warnock
Joseph Egan
Joseph Egan and Anton Himstedt: Common Ground
Publisher: Josef Albers Museum Quadrat Bottrop, Ulrike Growe
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Joseph Egan, Ptolemäus: Die Welt im Griff? Antike Kartographie und zeitgenössische Kunst, Kunsthaus Grenchen
3. März bis 26. Mai 2024
Dan Flavin, Widmungen aus Licht, Kunstmuseum Basel
2. März bis 18. August 2024
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Fred Sandback, Kurt Büsser ermöglicht... Erich Buchholz und Fred Sandback, Museum Wiesbaden
19. Januar bis 14. April 2024
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033