Vom 15. September bis zum 2. Dezember 2022 beherbergen die Schauräume der Galerie drei Einzelausstellungen. Ein gemeinsames Merkmal verbindet die drei Werkgruppen. Der Betrachter soll in die Bildfolgen gleichsam eintreten, den Bildgeschichten Zeit und Aufmerksamkeit zugestehen.
So besteht das Portfolio «Edges» (1999) von Richard Tuttle aus 13 Grafikblättern, die Hängung erfolgt nach seinen Angaben. «Gold» von 2001 ist eine fünfteilige Grafik-Suite, die ihren Reiz und ihr Geheimnis erst preisgibt, wenn sie in der festgelegten Abfolge gelesen wird. «Poem» (2010) darf als ein gewichtiges mehrteiliges Werk beschrieben werden. Es besteht aus zehn Zeichnungen in vom Künstler bearbeiteten Rahmen.
Die kleinformatigen Radierungen von Dan Flavin sind 1978 entstanden und belegen eine wenig bekannte und unerwartete Seite des Künstlers. Sie zeigen einerseits die Virtuosität des Zeichners und andererseits sein Interesse und seine Kennerschaft was die Kunstgeschichte und insbesondere
jene der Zeichnung anbetrifft. So sind die Blätter der Folge « ...in March, in Oakland» Francesco Guardi gewidmet und «Second Sails» James Abbott McNeill Whistler zugeeignet.
Der zweite Tageslichtraum ist der richtige Ort, um die Bilder von Jerry Zeniuk zu betrachten. Dies ist Malerei, die im Wortsinn von Malerei handelt. Der Einstieg in das differenzierte und vielfältige Bildgeschehen ist Voraussetzung dafür, dass sich die malerischen Sensationen offenbaren, welche diese Werke anzubieten haben.
Eine schöne Ergänzung zu den drei Einzelpräsentationen bilden ein Aquarell von 1977 von Giorgio Griffa und «Buongiorno!», eine neue Arbeit von Joseph Egan.
News:
Giulio Paolini erhält 2022 den 33. Praemium Imperiale für Malerei der Japan Art Association .
Sylvia Plimack Mangold
The Locust Trees | 1988
Im Gedenken an
Sacha Patricia Verna (1973–2022)
Installation view Raum 4
Installation view Büroraum
Installation vie Raum 1
Installation view Raum 2
Installation view Raum 2
Installation view Raum 2
Installation view Raum 3
Installation view Raum 3
Installation view Raum 3
Installation view Raum 4
Installation view Raum 4
Installation view Raum 4 von aussen
Installation view Büroraum
Installation view Büroraum
Installation view Büroraum
Installation view Büroraum
Installation view Büroraum
Joseph Egan
Buongiorno!
2022
38 x 38 x 5 cm
painted wood and painted panel
Dan Flavin
a young woman in a raincoat
1978
37.5 x 28.6 cm
drypoint
Ed. 10
publisher: Crown Point Press
Dan Flavin
a young woman in a raincoat
1978
37.5 x 28.6 cm
drypoint
Ed. 10
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
a young black man
sheet from the Portfolio „...in March, in Oakland (to Francesco Guardi)“ 1978
sheet size: 31.8 x 27.3 cm
hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Giorgio Griffa
Senza Titolo
1977
46 x 61.8 cm
watercolor on paper
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Jerry Zeniuk
Untitled
2013
70 x 70 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 301
2008
160 x 160 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 301
2008
160 x 160 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 247
2002
160 x 152 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 247
2002
160 x 152 cm
oil on canvas
Dan Flavin (1933–1996) und Will Insley (1929–2011)
6. März bis 26. April 2024
James Bishop
James Bishop
Herausgeber: ER Publishing, Editiert von Molly Warnock
Joseph Egan
Joseph Egan und Anton Himstedt: Common Ground
Herausgeber: Josef Albers Museum Quadrat Bottrop, Ulrike Growe
INSIGHT #3 beleuchtet das zeichnerische Werk von Fred Sandback anhand von drei Beispielen aus den Jahren 1974 und 1982.
Joseph Egan, Ptolemäus: Die Welt im Griff? Antike Kartographie und zeitgenössische Kunst, Kunsthaus Grenchen
3. März bis 26. Mai 2024
Dan Flavin, Widmungen aus Licht, Kunstmuseum Basel
2. März bis 18. August 2024
Rita McBride, Momentum,
Dia Beacon, Beacon, NY
1. Juli 2023 bis Januar 2025
Fred Sandback, Kurt Büsser ermöglicht... Erich Buchholz und Fred Sandback, Museum Wiesbaden
19. Januar bis 14. April 2024
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
16. November 2008 – 2033