Sol LeWitt – Wall Drawing
The biographies of galleries are highly revealing. A number of important gallery owner personalities with small venues were indispensable to the standing and respect earned by the art of the early modern period and embody the close connection between practice and aesthetics, between art education and art dealing. Another hundred years of gallery and gallerist history show the varied ways, both personal and impersonal, that the important role and the function of the gallery owner and the gallery can be perceived and employed.
Admittedly, the art world has become more and more scene-oriented while concentration and acceleration have reached staggering proportions. Galleries of contemporary art scarcely have time to develop their own biography. Ideally within three years of entering the scene, galleries should have established their presence and attained the status of a star gallery. A parallel with artists’ careers is impossible to ignore.
Battles of the titans and cockfights are fought at the top of the pyramid of the medially omnipresent art world by means of vast gallery spaces – new space – new power.
Twenty of the forty-four years of our exhibition activities have now played out in the same premises at Neptunstrasse 42 and we consider this an occasion to be commemorated with a special exhibition. The dialog between the intrinsic characteristics and architectural conditions of our location has provided us and the artists of the gallery with unforeseeably rich and inspiring possibilities. Presented in changing segments over the coming months, the exhibition shows the profile of the gallery in close correlation with the spaces that gave this profile its visibility. The first works to be featured are by Dan Flavin, Donald Judd, Sol LeWitt, Robert Mangold and Robert Ryman.
The opening exhibition in 1993 was a very special event. The work group by Dan Flavin that illuminated the gallery spaces bears the dedication “For the Vernas on opening anew.” We are delighted to once again have the opportunity to show one of these works.
Three wall drawings by Sol LeWitt in 2001, 2004 and 2009 each delivered a powerful experience. Art that combines permanence and ephemerality and causes the here and now to appear especially important and valuable. The wall and the space are conditions for the temporary existence of the work of art. The installation of a wall drawing for the current show constitutes a key accent.
Since 1993, the gallery has hosted solo exhibitions by the following artists: Forrest Bess, James Bishop, Antonio Calderara, Andreas Christen, Joseph Egan, Dan Flavin, Richard Francisco, Donald Judd, Sol LeWitt, Robert Mangold, Brice Marden, Agnes Martin, Rita McBride, Ree Morton, Giulio Paolini, Sylvia Plimack Mangold, David Rabinowitch, Glen Rubsamen, Robert Ryman, Fred Sandback, Myron Stout, Richard Tuttle, Robert Wilson, Jerry Zeniuk.
Installation view room 4, room 1
Installation view room 1
Installation view room 4
Day 1
Installation view room 1
Sol LeWitt – Wall Drawing
Day 2
Installation view room 1
Sol LeWitt – Wall Drawing
Day 2
Installation view room 1
Sol LeWitt – Wall Drawing
Day 3
Installation view room 1
Sol LeWitt – Wall Drawing
Day 4
Installation view room 1
Sol LeWitt – Wall Drawing
Day 5
Installation view room 1
Sol LeWitt – Wall Drawing
Day 6
Installation view room 1
Sol LeWitt – Wall Drawing
Day 6
Installation view room 1
Sol LeWitt – Wall Drawing
Day 8
Installation view room 1
Sol LeWitt – Wall Drawing
Day 8
Installation view room 1
Sol LeWitt – Wall Drawing
Day 9
Installation view room 1
Sol LeWitt – Wall Drawing
Day 9
Installation view room 1
Sol LeWitt – Wall Drawing
Day 10
Installation view room 1
Sol LeWitt – Wall Drawing
Day 10
Installation view room 1
Sol LeWitt – Wall Drawing
Day 11
Installation view room 1
Sol LeWitt – Wall Drawing
Day 11
Installation view room 1
Sol LeWitt – Wall Drawing
Installation view
Dan Flavin
Untitled (for the Vernas
on opening anew)
1993
58.5 x 122 x 51 cm
green, pink and yellow fluorescent light
Ed. 1/5
Dan Flavin
Untitled (for the Vernas
on opening anew)
1993
58.5 x 122 x 51 cm
green, pink and yellow fluorescent light
Ed. 1/5
Dan Flavin
Untitled (for the Vernas
on opening anew)
1993
58.5 x 122 x 51 cm
green, pink and yellow fluorescent light
Ed. 1/5
Dan Flavin
Untitled (for the Vernas
on opening anew)
1993
58.5 x 122 x 51 cm
green, pink and yellow fluorescent light
Ed. 1/5
Dan Flavin
Untitled (for the Vernas
on opening anew)
1993
58.5 x 122 x 51 cm
green, pink and yellow fluorescent light
Ed. 1/5
Donald Judd
Untitled (82-12)
1982
100 x 100 x 32 cm
aluminium and purple plexiglass
(3 parts)
Donald Judd
Untitled (82-12)
1982
100 x 100 x 32 cm
aluminium and purple plexiglass
(3 parts)
(daylight)
Donald Judd
Untitled (82-12)
1982
100 x 100 x 32 cm
aluminium and purple plexiglass
(3 parts)
Donald Judd
Untitled (82-12)
1982
100 x 100 x 32 cm
aluminium and purple plexiglass
(3 parts)
(daylight)
Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
Drawn by Nicolai Angelov
Photo: Thomas Cugini, Zürich
Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
Drawn by Nicolai Angelov
Photo: Thomas Cugini, Zürich
Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
Drawn by Nicolai Angelov
Sol LeWitt
Tilted Form with color ink washes superimposed
1987
Wall Drawing #524
Drawn by Nicolai Angelov
Sol LeWitt
Horizontal Bands (More or Less)
2002
154 x 147 cm
Gouache on paper
Sol LeWitt
Horizontal Bands (More or Less)
2002
154 x 147 cm
Gouache on paper
Robert Mangold
A Triangle within two Rectangles
1977
127 x 216 cm / 50 x 85 "
Acrylic and black pencil on canvas
Robert Ryman
Four Aquatints and One Etching „A“
1991
83.7 x 83.7 cm
Ed. 32/80
aquatint
Robert Ryman
Four Aquatints and One Etching „B“
1991
84 x 83.7 cm
Ed. 32/80
two plate aquatint
Robert Ryman
Four Aquatints and One Etching „C“
1991
86 x 86 cm
Ed. 32/80
two plate aquatint and etching
Robert Ryman
Four Aquatints and One Etching „D“
1991
86 x 86 cm
Ed. 32/80
Aquatint
Robert Ryman
Four Aquatints and One Etching „E“
1991
89.2 x 89.7 cm
Ed. 32/80
etching
Richard Tuttle
50 Years of Collaboration
September 25 to November 30, 2024
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033