The richness of form and diversity of the works brought together in this gallery presentation determine the image imparted by the show.
It is a limited number of carefully chosen works. Some are comprised of several elements joined to form a unity, while others consist of thematically coherent cycles of works. In each case, the unity derives from the diversity. The same can be said of the clearly structured exhibition.
The exhibition is a metaphor, as it were, for the way the gallery’s profile has taken form over the decades. This is often perceived as an inviolable unity – which is certainly true insofar as many criteria, views and ideas have been shaped by the year 1969, a date marking the start of the gallery’s activity with historical precision.
But the 1960s are by no means an arbitrary place and setting within the history of art. The fact that the subsequent path is not characterised by uniformity is due to the relevance of the works and the artistic personalities who often found their way to the gallery in the early years, but also over the ensuing course of time.
In any case, we believe that a closer look can evince and affirm the primacy of diversity.
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Installation view room 4

Installation view office room

Installation view room 1

Installation view room 1

Installation view room 1

Installation view room 1

Installation view room 2

Installation view room 2

Installation view room 2

Installation view room 3

Installation view room 3

Installation view room 3

Installation view room 4

Installation view room 4

Installation view room 4

Andreas Christen
Untitled
2002
140 x 140 cm
MDF, enameled white

Joseph Egan
December Dovecote
2020
30 x 26 x 9 cm
various paints and wood on canvas

Joseph Egan
October Dovecote
2020
31 x 27.5 x 7 cm
various paints and wood on canvas

Joseph Egan
November Dovecote
2020
33 x 27.5 x 9 cm
various paints and wood on canvas

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Straight, not straight and broken lines in all horizontal combinations
1973
each: 69 x 53.8 cm
etching
portfolio of 7, ed. 24/25

Sol LeWitt
Diptych with Irregular Forms on Two Different Colors
1997
114.3 x 76.2 cm
gouache on paper

Sol LeWitt
Diptych with Irregular Forms on Two Different Colors
1997
114.3 x 76.2 cm
gouache on paper

Robert Mangold
Three Color Frame Painting
1985
92 x 81.3 cm
acrylic and pencil on paper

Robert Mangold
Manila Area
1966
122 x 122 cm
oil, spray paint and pencil on masonite

Robert Mangold
Manila Area
1966
122 x 122 cm
oil, spray paint and pencil on masonite

Sylvia Plimack Mangold
Untitled
1977
51 x 51 cm
pencil and acrylic on canvas

Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
mild steel rod
(Volkswagen Oregonbeige L81D)
intervals: 45 cm, 30 cm, 15 cm

Fred Sandback
Untitled (Nr. 4)
1968 / 1983
61 x 334 x 61 cm
mild steel rod
(Volkswagen Oregonbeige L81D)
intervals: 45 cm, 30 cm, 15 cm

Fred Sandback
Untitled
1998
7.8 x 20.8 x 1.5 cm
acrylic on wood

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Untitled (Collage Drawings), 11-20
1977
ten drawings, each: 35.6 x 27.9 cm
watercolor and paper on paper

Richard Tuttle
Waferboard 5
1996
40.6 x 121.9 cm
acrylic on waferboard

Brice Marden
Focus I-V
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus I
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus II
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus III
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus IV
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75

Brice Marden
Focus V
1979
38.1 x 29.9 cm
etching with aquatint
portfolio of 5, ed. 50/75
James Bishop / Richard Tuttle
September 9 to November 6, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT – ARTWORKS IN THE SPOTLIGHT #2, Paintings on Paper by James Bishop presents four works on paper by James Bishop. Created between 1956 and around 1993 they provide valid perspectives on an artistic oeuvre defined by an insistence on painting.
Giulio Paolini A.R.S. Scaenica, Teatro Franco Parenti, Milan , permanent installation
Giorgio Griffa Paths in the Forest, The Clark Art Institute, Williamstown (MA), through October 12, 2026
Agnes Martin Painting is not making paintings, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Rita McBride LO·CO·MO·TIV, two person show with Sophie Tottie, Lokstallet Konsthallen, Strömstad, through September 27, 2026
Abstract Constructions, Nassos Daphnis - Rita McBride, Fondation CAB, Saint-Paul-de-Vence, FR, through October 25, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, Munich, through January 2027
Marisa Merz La danza delle ore, Gallery of Modern and Contemporary Art (GAM), Turin; Fondazione Merz, Turin; Castello di Rivoli, Rivoli, October 29, 2026 to April 4, 2027
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Negativa, Metropol Kunstraum, Munich, September 24 to December 16, 2026
Richard Tuttle Almost Sky, with Jun Aoki, Tokyo Opera City Art Gallery, Tokyo, July 18 to September 23, 2026
Half-Light, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Sol LeWitt (1928–2007)
Open Structure, Amorepacific Museum of Art, Seoul, through February 28, 2027
A Wall Drawing Retrospective, Yale University Art Gallery and Williams College Museum of Art, November 16, 2008 – 2033
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