The richness of form and diversity of the works brought together in this gallery presentation determine the image imparted by the show.
It is a limited number of carefully chosen works. Some are comprised of several elements joined to form a unity, while others consist of thematically coherent cycles of works. In each case, the unity derives from the diversity. The same can be said of the clearly structured exhibition.
The exhibition is a metaphor, as it were, for the way the gallery’s profile has taken form over the decades. This is often perceived as an inviolable unity – which is certainly true insofar as many criteria, views and ideas have been shaped by the year 1969, a date marking the start of the gallery’s activity with historical precision.
But the 1960s are by no means an arbitrary place and setting within the history of art. The fact that the subsequent path is not characterised by uniformity is due to the relevance of the works and the artistic personalities who often found their way to the gallery in the early years, but also over the ensuing course of time.
In any case, we believe that a closer look can evince and affirm the primacy of diversity.
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INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride / Sylvia Plimack Mangold : (Re)Frame, Brooke Alexander, Inc. / Alexander and Bonin New York , through August 19th, 2022
Rita McBride : Practicing, De Pont Museum, Tilburg , through August 28, 2022
Sylvia Plimack Mangold : 52 Artists: A Feminist Milestone, The Aldrich Contemporary Art Museum , Ridgefield, CT, throught January 8, 2023
Ree Morton / Sylvia Plimack Mangold : Who Said It Was Simple: Women Painting in New York, 1971–1982, Karma New York , September 20 to November 5, 2022
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033
James Bishop
Paintings and Paintings on Paper
April 16 to June 19, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT – ARTWORKS IN THE SPOTLIGHT #2, Paintings on Paper by James Bishop presents four works on paper by James Bishop. Created between 1956 and around 1993 they provide valid perspectives on an artistic oeuvre defined by an insistence on painting.
Antonio Calderara Riti di passaggio. Dalla figurazione all'arte concreta, Fondazione Marcello Morandini, Varese, through April 26, 2026
Donald Judd, Judd|Marfa, The Watari Museum of Contemporary Art, Tokyo, through June 7, 2026
Rita McBride, Five Centuries of Works on Paper: The Grunwald Centre at 70, Hammer Museum, Los Angeles, through May 17, 2026
Abstract Constructions, Nassos Daphnis - Rita McBride, Fondation CAB, Saint-Paul-de-Vence, FR, through October 25, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, Munich, through January 2027
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Sculpture, Chinati Foundation, Marfa, October 12, 2025 through July 2026
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033