From September 15 to December 2, 2022, the gallery’s showrooms are hosting three solo exhibitions, which share a common feature. With all three groups of works, the viewer should enter the series of images and give time and attention to the pictorial narratives.
The portfolio “Edges” (1999) by Richard Tuttle, for example, consists of 13 prints, hung according to his instructions. “Gold” from 2001 is a five-part suite of etchings that only reveals its particular appeal and mystery when read in the specified sequence.
“Poem” (2010) can be described as a momentous and substantial ten-part work. It comprises ten drawings in frames individually finished by the artist.
The small-format etchings by Dan Flavin were created in 1978 and reveal a little-known and unexpected side of the artist. They demonstrate the artist’s virtuosity as well as his interest in and knowledge of art history, especially drawing. The sheets in the series “...in March, in Oakland” are dedicated to Francesco Guardi and “Second Sails” to James Abbott McNeill Whistler.
The second naturally lit room is the right place to view the works by Jerry Zeniuk, consisting of painting that is literally about painting. Entering into the differentiated and diverse pictorial happenings is a prerequisite for discovering the painterly sensations that these works have to offer.
A watercolor from 1977 by Giorgio Griffa and “Buongiorno!”, a new work by Joseph Egan, make a beautiful addition to the three individual presentations.
News:
Giulio Paolini received the 33rd Praemium Imperiale for Painting of the Japan Art Association in 2022 .
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Sylvia Plimack Mangold : 52 Artists: A Feminist Milestone, The Aldrich Contemporary Art Museum , Ridgefield, CT, throught January 8, 2023
Ree Morton / Sylvia Plimack Mangold : Who Said It Was Simple: Women Painting in New York, 1971–1982, Karma New York , September 20 to November 5, 2022
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033
James Bishop / Richard Tuttle
September 9 to November 6, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT – ARTWORKS IN THE SPOTLIGHT #2, Paintings on Paper by James Bishop presents four works on paper by James Bishop. Created between 1956 and around 1993 they provide valid perspectives on an artistic oeuvre defined by an insistence on painting.
Giulio Paolini A.R.S. Scaenica, Teatro Franco Parenti, Milan , permanent installation
Giorgio Griffa Paths in the Forest, The Clark Art Institute, Williamstown (MA), through October 12, 2026
Agnes Martin Painting is not making paintings, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Rita McBride LO·CO·MO·TIV, two person show with Sophie Tottie, Lokstallet Konsthallen, Strömstad, through September 27, 2026
Abstract Constructions, Nassos Daphnis - Rita McBride, Fondation CAB, Saint-Paul-de-Vence, FR, through October 25, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, Munich, through January 2027
Marisa Merz La danza delle ore, Gallery of Modern and Contemporary Art (GAM), Turin; Fondazione Merz, Turin; Castello di Rivoli, Rivoli, October 29, 2026 to April 4, 2027
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Negativa, Metropol Kunstraum, Munich, September 24 to December 16, 2026
Richard Tuttle Almost Sky, with Jun Aoki, Tokyo Opera City Art Gallery, Tokyo, July 18 to September 23, 2026
Half-Light, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Sol LeWitt (1928–2007)
Open Structure, Amorepacific Museum of Art, Seoul, through February 28, 2027
A Wall Drawing Retrospective, Yale University Art Gallery and Williams College Museum of Art, November 16, 2008 – 2033
Datenschutzerklärung
Impressum