SHADOW LIGHT
from James Bishop to Sol LeWitt – from Giorgio Morandi to Bram van Velde
“What is more mysterious than clarity?”, writes Paul Valéry. “What more capricious than the way in which light and shade are distributed over the hours and over men?” ('Eupalinos, or the Architect')
The majority of the presented works are drawings and works on paper. A number of objects and large-format paintings are likewise part of the carefully assembled show, which also incorporates loans from private holdings. Shadow Light touches on places and moments of amalgamation and dispersal, of demarcation and nuance. Surface and depth open up in a richly differentiated dialogue. A broadly defined set of visual themes links the exhibited works whose origins span a good hundred years.
In the 1980s, James Bishop painted “Maintenant”, a canvas with a format of 193x193 cm. In 2012, the artist recalled the wonderful dark gray masterpiece with small dark paintings on paper. This gesture provided the impetus for our project as well as its guiding principle.
Bishop’s work group can thus be seen in its entirety. The other works by some fifteen artists from the nineteenth and twentieth centuries find surprising areas of common ground. Shadings from deep black to mild gray point the way toward broken areas of white and the beginnings of coloration. With unaffected and natural ease, an echo chamber unfolds that touches on artistic motifs and approaches whose relevance in the history of the fine arts continues to act as a unifying, groundbreaking force.
This exhibition appeals to those of our friends who enjoy taking time for an intensive and demanding art experience.
David Rabinowitch – Program of Construction for Solothurn, Haus der Kunst St. Josef und Kunstverein Solothurn, through November 18, 2012
Richard Tuttle – Systems, VIII-XII, Pace Gallery New York, through October 13, 2012
Richard Tuttle & Mei-mei Berssenbrugge, Kunstverein München, “Hello, The Roses”, October 6 to November 25, 2012
November 16, 2008 – 2033
Sol LeWitt –
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
James Bishop / Richard Tuttle
September 9 to November 6, 2026
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT – ARTWORKS IN THE SPOTLIGHT #2, Paintings on Paper by James Bishop presents four works on paper by James Bishop. Created between 1956 and around 1993 they provide valid perspectives on an artistic oeuvre defined by an insistence on painting.
Giulio Paolini A.R.S. Scaenica, Teatro Franco Parenti, Milan , permanent installation
Giorgio Griffa Paths in the Forest, The Clark Art Institute, Williamstown (MA), through October 12, 2026
Agnes Martin Painting is not making paintings, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Rita McBride LO·CO·MO·TIV, two person show with Sophie Tottie, Lokstallet Konsthallen, Strömstad, through September 27, 2026
Abstract Constructions, Nassos Daphnis - Rita McBride, Fondation CAB, Saint-Paul-de-Vence, FR, through October 25, 2026
Richard Tuttle | Giulio Paolini | Marisa Merz | Mario Merz
Long Story Short, Museum Brandhorst, Munich, through January 2027
Marisa Merz La danza delle ore, Gallery of Modern and Contemporary Art (GAM), Turin; Fondazione Merz, Turin; Castello di Rivoli, Rivoli, October 29, 2026 to April 4, 2027
Fred Sandback Cuts into Spaces (group show), Hall Art Foundation, Kunstmuseum Schloss Derneburg, ongoing
Negativa, Metropol Kunstraum, Munich, September 24 to December 16, 2026
Richard Tuttle Almost Sky, with Jun Aoki, Tokyo Opera City Art Gallery, Tokyo, July 18 to September 23, 2026
Half-Light, Dia:Beacon, Dia Art Foundation, Beacon, long-term view
Sol LeWitt (1928–2007)
Open Structure, Amorepacific Museum of Art, Seoul, through February 28, 2027
A Wall Drawing Retrospective, Yale University Art Gallery and Williams College Museum of Art, November 16, 2008 – 2033
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