Richard Tuttle
«Richard Tuttle – 50 Years of Collaboration»
Since 1974, Annemarie Verna Gallery has had the privilege of accompanying Richard Tuttle's life and work through 21 solo exhibitions, numerous group exhibitions, publications and editions.
The current exhibition, " Richard Tuttle – 50 Years of Collaboration", is a testament to the fruitful artistic and intellectual exchange between the artist and our gallery.
Part II
The exhibition was supplemented with the replacement of several works. All the works in room 2 have been replaced and three works in room 4, which complement the previous installation.
All images of the exhibition in the lightbox
Text by Richard Tuttle for the exhibition 50 Years of Collaboration, 2024
Yes, it is 50 years since coming to Zurich and beginning a collaboration with the Vernas. “Collaboration” is a carefully chosen word. It is unusual and accurate, for the “gallery” has taken on its own definition. I am happy and proud to have a part. It grew into itself, like a tree that is always challenged with not enough space, water, sunlight, etc. To have brought something from far away, was a secret shared between the swans and I, disembarking on the sleet and icy streets, the first night in Zurich. Now, it is 50 years. No secret, anymore.
During the course of these years-- so well documented in the compilation of The Complete Interviews-- Dieter Schwarz appears as a singularly important part. The rarity of his numerous skills and their combination, adding it to a work ethic of and with prodigious amounts of energy, makes him an asset to the entire art world and to his times. He would be the first to admit the importance of the Verna's work for him.
A collaboration is not a representation. It is a much warmer thing and requires at least two participants. The present showing of my works is my “half”. Just as I wish I could be in Zurich right now, I wish my half of the collaboration gives itself in little hints of memory, in major hints of ambition, in full hints of love of humanity, in hints of truth, in revelation, in aspirations, not allowable, in wishes too big for words, in light of such an abundance as to not to fear darkness anymore, to hints of love for the next, and next, artist, and to thanks for all the support this collaboration has been given and its voice that reaches out with meaning to a whole world.
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Fred Sandback Threading Space,
Museum of Contemporary Art – MAC/CCB, Lisbon
October 24, 2024 to March 9, 2025
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033
Joseph Egan
This, That, and the Other Thing
February 28 to May 3, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Fred Sandback Threading Space,
Museum of Contemporary Art – MAC/CCB, Lisbon
October 24, 2024 to March 9, 2025
Giulio Paolini
A.R.S. Scaenica, permanent installation, Teatro Franco Parenti, Milan
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033