Our summer exhibition can be viewed by appointment until September 10, 2017: you can reach us by calling +41 44 201 32 35 or by sending an e-mail to office@annemarie-verna.ch .
Works by James Bishop, Antonio Calderara, Joseph Egan, Donald Judd, Robert Mangold, Richard Tuttle and Jerry Zeniuk form an expansive yet coherent exhibition installation.
In the entry area, visitors encounter a pair of intensive smaller-scale works, one by Jerry Zeniuk and the other by Joseph Egan.
In the first large exhibition room, the magisterial yellow canvas ‘Double Line Column’, 2005, by Robert Mangold yields its monumental impact. The work is complemented by ‘Red-Green Ellipse/Black Frame’ from 1988, an especially lovely work in acrylic on a large sheet of paper.
Taking up the vertical format of the yellow painting on a small scale, ‘Orizzonte’, 1968/69, by Antonio Calderara asserts itself as a counterpoint.
Rooms two and three offer two ideal niches for the ‘Formal Alphabet B-M’ group by Richard Tittle, which now comprises a total of twelve works.
The high-ceilinged fourth exhibition room is dominated by Donald Judd’s 1989 wall work in Douglas fir plywood and the large painting ‘Brown/Red’, 1969, by James Bishop.
In our exhibition, the dialog between work and space is the true unifying core theme. We look forward to your visit.
Installation view room 4
Installation view office room
Installation view room 1
Installation view room 1
Installation view room 2
Installation view room 2
Installation view room 3
Installation view room 3
Installation view room 4
Installation view room 4
James Bishop
Brown / Red
1969
189.5 x 188.5 cm
oil on canvas
James Bishop
Brown / Red
1969
189.5 x 188.5 cm
oil on canvas
Antonio Calderara
Orizzonte
1968–1969
27 x 9 cm
oil on wood panel
Joseph Egan
Local Color
2017
40 x 37.5 x 4.5 cm
various paints on wood
Donald Judd
Untitled (89-48)
1989
50 x 100 x 50 cm
douglas fir plywood
Robert Mangold
Double Line Column 2
2005
304.8 x 76.2 cm
acrylic and pencil on canvas
Robert Mangold
Double Line Column 2
2005
304.8 x 76.2 cm
acrylic and pencil on canvas
Robert Mangold
Red-Green Ellipse/
Black Frame
1988
76.8 x 111.8 cm
acrylic and pencil on paper
Richard Tuttle
Formal Alphabet B
2015
27.2 x 20.3 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet C
2015
15.4 x 17.9 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet D
2015
14.1 x 27.4 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet E
2015
19.3 x 17.6 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet F
2015
22.8 x 19.8 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet G
2015
22.2 x 17.5 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet H
2015
24.3 x 20.8 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet I
2015
22.1 x 22.4 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet J
2015
24.1 x 15.3 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet K
2015
25.4 x 23.1 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet L
2015
30.2 x 23.2 cm
acrylic on corrugated cardboard, steel nails
Richard Tuttle
Formal Alphabet M
2015
11.8 x 33.1 cm
acrylic on corrugated cardboard, steel nails
Jerry Zeniuk
Untitled
2014
70 x 70 cm
oil on canvas
Richard Tuttle
50 Years of Collaboration
September 25, 2024 to February 21, 2025
Richard Tuttle
Complete Interviews 1970–2022
Edited and with a Preface Interview by Dieter Schwarz
Glen Rubsamen
The Petrified Forest
Publisher: Glen Rubsamen
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Ree Morton with Natalie Häusler,
To Each Concrete Man,
Kunstmuseum Bochum, Germany
October 11, 2024, to February 23, 2025
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033