From September 15 to December 2, 2022, the gallery’s showrooms are hosting three solo exhibitions, which share a common feature. With all three groups of works, the viewer should enter the series of images and give time and attention to the pictorial narratives.
The portfolio “Edges” (1999) by Richard Tuttle, for example, consists of 13 prints, hung according to his instructions. “Gold” from 2001 is a five-part suite of etchings that only reveals its particular appeal and mystery when read in the specified sequence.
“Poem” (2010) can be described as a momentous and substantial ten-part work. It comprises ten drawings in frames individually finished by the artist.
The small-format etchings by Dan Flavin were created in 1978 and reveal a little-known and unexpected side of the artist. They demonstrate the artist’s virtuosity as well as his interest in and knowledge of art history, especially drawing. The sheets in the series “...in March, in Oakland” are dedicated to Francesco Guardi and “Second Sails” to James Abbott McNeill Whistler.
The second naturally lit room is the right place to view the works by Jerry Zeniuk, consisting of painting that is literally about painting. Entering into the differentiated and diverse pictorial happenings is a prerequisite for discovering the painterly sensations that these works have to offer.
A watercolor from 1977 by Giorgio Griffa and “Buongiorno!”, a new work by Joseph Egan, make a beautiful addition to the three individual presentations.
News:
Giulio Paolini received the 33rd Praemium Imperiale for Painting of the Japan Art Association in 2022 .
Sylvia Plimack Mangold
The Locust Trees | 1988
In memory of
Sacha Patricia Verna (1973–2022)
Installation view room 4
Installation view office room
Installation vie room 1
Installation view room 2
Installation view room 2
Installation view room 2
Installation view room 3
Installation view room 3
Installation view room 3
Installation view room 4
Installation view room 4
Installation view room 4 from outside
Installation view office room
Installation view office room
Installation view office room
Installation view office room
Installation view office room
Joseph Egan
Buongiorno!
2022
38 x 38 x 5 cm
painted wood and painted panel
Dan Flavin
a young woman in a raincoat
1978
37.5 x 28.6 cm
drypoint
Ed. 10
publisher: Crown Point Press
Dan Flavin
a young woman in a raincoat
1978
37.5 x 28.6 cm
drypoint
Ed. 10
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
... in March, in Oakland (to Francesco Guardi)
1978
each: 31.8 x 27.3 cm
portfolio of nine hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
a young black man
sheet from the Portfolio „...in March, in Oakland (to Francesco Guardi)“ 1978
sheet size: 31.8 x 27.3 cm
hard ground etchings on Arches satiné paper
Ed. 25
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Dan Flavin
Second Sails (to James Abbott Mc Neill Whistler)
1978
each: 28.3 x 37.8 cm
set of 8 drypoints
Ed. 10
publisher: Crown Point Press
Giorgio Griffa
Senza Titolo
1977
46 x 61.8 cm
watercolor on paper
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Edges
1999
each: 31.1 x 31.1 cm
portfolio of 13 color aquatints and etchings
Ed. 10/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Poem
2010
10 parts
each: 34.5 x 26.5 x 2.5 cm
pencil and color pencil on paper, in hand painted frame by the artist
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Richard Tuttle
Gold
2001
each: 37.5 x 37.5 cm
suite of five colored etchings with aquatint, spitbite, softground, screenprinting, chine colle, and gold and platinum leaf
Ed. 11/25
publisher: Brooke Alexander Editions
printer: Burnet Editions
Jerry Zeniuk
Untitled
2013
70 x 70 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 301
2008
160 x 160 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 301
2008
160 x 160 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 247
2002
160 x 152 cm
oil on canvas
Jerry Zeniuk
Untitled Nr. 247
2002
160 x 152 cm
oil on canvas
Dan Flavin (1933–1996) and Will Insley (1929–2011)
March 6 to April 26, 2024
James Bishop
James Bishop
Publisher: ER Publishing, Edited by Molly Warnock
Joseph Egan
Joseph Egan and Anton Himstedt: Common Ground
Publisher: Josef Albers Museum Quadrat Bottrop, Ulrike Growe
INSIGHT #3 spotlights the graphic work of Fred Sandback through three examples from 1974 and 1982.
Joseph Egan, Ptolemäus: Die Welt im Griff? Antike Kartographie und zeitgenössische Kunst, Kunsthaus Grenchen
3. März bis 26. Mai 2024
Dan Flavin, Widmungen aus Licht, Kunstmuseum Basel
2. März bis 18. August 2024
Rita McBride, Momentum,
Dia Beacon, Beacon, NY,
July 1, 2023 to January 2025
Fred Sandback, Kurt Büsser ermöglicht... Erich Buchholz und Fred Sandback, Museum Wiesbaden
19. Januar bis 14. April 2024
Sol LeWitt (1928–2007)
A Wall Drawing Retrospective
Yale University Art Gallery and Williams College Museum of Art
November 16, 2008 – 2033